Oh my gosh, you guys. The feels. They are hard to make words with.

 
The protagonist of this YA thriller is 16-year old Parker Chipp (gotta love that last name), who hasn’t had true, restful sleep in over four years because of a strange condition: He is forced to watch the dreams of the last person he made eye contact with before he fell asleep. Naturally this means viewing a lot of weird, awkward and confusing images involving unicorns and unspoken desires, but most disturbing are the memories — domestic violence and murder among them.

The premise (and that snazzy cover) alone are powerful enough to make me giddy, but it’s Parker and his best friend Finn who kept me reading. Parker isn’t particularly noteworthy by himself but my sympathy for his predicament is enough to make up for that. (I mean, it’s only natural to be a little deficient in personality when you haven’t slept in four years. I start losing charm when I go without sleep for more than four hours, but I digress.) And Finn is a good natured, laid back weirdo, and they’re both dudes (there aren’t enough male POVs in YA!). Enough said.

I wasn’t expecting the romance that blossomed in this novel, but I actually supported it for once! Although there were some scenes that may have foreshadowed it, I’m glad that the author avoided the creepy tendency to put stalker guys on a pedestal, with the victim of his stalking falling madly in love with him. I can’t say how many times I’ve seen that play out in romance novels, but it happens way too much. This novel is a textbook-perfect example of how you’re supposed to handle it, and it does so in a way that makes me sympathetic to both the victim and the perpetrator. What the what? Parker manages to fall in love with someone other than the one who he’s obsessively co-dependent on. I can’t tell you how awesome it is to be able to write that.

Other things I loved about this novel: busy but concerned/visible mom, subtle critiques of domestic violence and drug abuse, guy who confides in his friends instead of bottling everything up and slowly going insane. I really admire the attention to the relationships between all of the main characters – very refreshing, honest and realistic. Insomnia was also amazing at building tension and creating all sorts of twist and turns that kept me guessing. Up until the climactic end scene, I was totally hooked, although there were a few lulls here and there.

I won’t spoil anything, but there’s a certain twist in the climax that threw me for a loop, and unfortunately not in a good way. The final reveal of Mia’s stalker made no sense to me, as it came way out of left field. Even after stepping back for a couple hours, I couldn’t see how the Big Reveal was plausible – I think there needed to be some more foreshadowing or character development on the part of He Who Shall Not Be Named.

I’m not quite sure if I want to read followups but as a standalone novel, Insomnia was extremely satisfying.

You can purchase your own copy of Insomnia through Amazon or Barnes and Noble now! And make sure you check out Jenn’s blog. 🙂

Book Reviews

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After a week of chaos, humidity, friends and books on books on books, I have returned to my quiet little metro Detroit suburb, where there are more trees than people and the temperature never tops 75 degrees (or 24 degrees Celsius… I’m trying to learn the conversions). Since I traveled by plane this year, I had to ship my ARCs from New York and won’t get them until Saturday… BUT I have plenty of swag, knowledge and memories to tide me over until then!

Obligatory photo time:

 

 

The models at the Ellora’s Cave booth looked terribly lonely, so I decided to oblige them… naturally.

 

Grumpy Cat is not impressed.

Perhaps most shockingly, attending Book Expo America this year has made me much more appreciative of social media. I’ve only begun to explore Twitter in the past few months, and managing that and Facebook and a blog (unsuccessfully, mind you) can be pretty exhausting, but from all standpoints it’s necessary. With that in mind, I’m going to brush the cobwebs off and update this thing more often – hopefully I can provide something that you readers enjoy. If not, feel free to offer suggestions!

Below you’ll find voice recordings for two panels I attended at BEA: “What’s Working Now: Search Engine Optimization, Author Platforms & New Social Media” featuring the folks from BookPromotion.com, and “Telling Stories About Your Stories—Lessons In Audience Development, Discoverability & Marketing From Beyond The World Of Books: featuring Richard Nash. Book Promotion has uploaded a link to the Powerpoint shown during their presentation here.

And with this new influx of swag, I’m going to have to give away a lot of stuff so I have somewhere to sleep, so watch out for more upcoming releases listed on my ‘Free Books’ entry, as well as reviews for them. Happy Tuesday!

Download my panel recordings through Microsoft Skydrive here. Please tell me if you have problems!

Personal Experience

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So I bought Jennifer’s new book, Wait for You, which I pimped on this blog the other day (it was released yesterday in e-book format). And then I spent all night reading it. I devoured it, went to bed at 3AM and then woke up at 7AM to get ready for school. I walked around campus like a zombie and almost faceplanted three times, but it was worth it.

The book is Jennifer’s first foray into the “New Adult” genre, which is marketed towards the 18-20 something crowd. I’ve read her adult romances, Tempting the Player and Tempting the Best Man, but I didn’t really know what to expect with this one. I wasn’t sure if it was going to be watered-down erotica or YA on steroids. I’m still not really sure, honestly. The word “cock” is used a couple times in dialogue, but the sex scenes themselves are pretty tame. Still, the chemistry between Avery and Cam is intensely hot, and what isn’t said is almost as potent as what is.

And oh god, Cam. He’s got that cliché “beautiful-popular-boy-with-blue-eyes-who-sees-something-in-the-awkward-virgin-and-saves-her-from-herself”syndrome, but he’s so charismatic and delicious you just can’t blame him for it. This guy oozes sex, from his overt come-ons and his easy smile to the way he makes Avery eggs every Sunday morning and routinely walks around without a shirt. I typically shun this type of love interest because it’s so blatantly wish fulfillment, but when you take this book for what it is — a short, fun beach read — then that doesn’t matter. I mean, Cam is delicious, he’s sweet, he bakes on a regular basis, AND he has a pet turtle. And I’m going to shun THAT? Pfft, no.

Jennifer mentioned that Cam just might usurp Aiden (from the Covenant series) and Daemon (Lux series) as kings of the Armentrout hottie club. I haven’t read the Lux series yet, but does Cam replace Aiden in my heart? Not quite. Aiden and Alex have better chemistry, in my opinion, and are equals in terms of status. Plus Aiden has issues — has felt loss. Cam has his demons, too, but for the most part I just felt life is overly easy for him, so I couldn’t quite see him as three-dimensional.

Avery has a similar issue. I had a hard time believing that she was damn near 20 years old and had never masturbated or felt turned on. It reminded me heavily of the virginal maidens of historical romance novels. Still, she did have some spunk of her own, too, and she did have her share of awesome one-liners. But her reaction to Cam finding out her secret seemed exaggerated for drama’s sake, and I would have loved to see her pull some slippers on and get back to dancing after the couple patches things up.

…I wanted to see Raphael pop up more too, especially seeing Cam play with him or talking about why in the heck he wanted a turtle in the first place.

Bottom line: Wait for You doesn’t offer anything groundbreaking, but the pieces are assembled in a genuine, heartfelt package that went down like smooth milk chocolate. Cam is amazing, but Avery just can’t keep up. 4/5 Stars.

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It was supposed to be Lexy Quinn’s year.  

The hard-working wallflower has finally landed the coveted spot as Editor of her school’s newspaper. Then the rug is ripped out from under her when she finds out her mom is sick, and the family is moving half-way across the country to Preston Hills, Texas.  Lexy can’t think of a worse place to be than at a school full of snobby rich kids where she’ll have to start all over to get people to notice her writing, or–who is she kidding?—notice her at all.
When the most swoon-worthy boy in town, who also happens to be the jock celebrity quarterback, gives her an exclusive interview, Lexy’s life takes an unexpected turn. Ash Preston is the perfect guy and, even better, he sees Lexy as she wants to be seen.  But can she trust him?

PRODIGAL is a different kind of love story, where faith, romance, and God converge . . . and it just might change the way you look at your life.

***

I was pleasantly surprised by this book. The blurb and the cover image didn’t reveal anything particularly unique or intriguing, and if anything, I was instantly put off by the the one-two punch of clichéd high school romance and religious undertones. I’ve been overwhelmed by the former as of late, and although I don’t seek it out, the latter tends to leave a bad taste in my mouth, with my ultimate takeaway being that the author is trying to preach to me rather than entertain me (somewhat relevant note: I am nonreligious).

Despite my misgivings, I found myself riveted by the simple, skillful writing style, the character development and the heartfelt romance and message that form Lexy Quinn’s story.

The characters are all endearing in their own way. Lexy is a sweet and well-meaning protagonist who I can easily identify with even without the whole journalist thing. By the end of the novel she has become a strong, confident young woman and I feel confident cheering along. Female characters in romance writing sometimes get that weepy, helpless, useless-without-a-man-on-her-arm syndrome – not Lexy. Even though she finds herself falling hard for the handsome rich kid as per usual in the genre, she also learns her worth as a whole person. 

And what can I say about Ash Preston… again, he could’ve gone the way of the generic hero, but despite being the Handsome, Rich Jock That Teaches the Frumpy Girl How to Love™, I quickly found myself cooing over how dreamy he is. He’s smart, sensitive, chivalrous, and funny. He’s also the first openly religious character – he ends up giving Lexy a copy of “The Lion, The Witch and the Wardrobe” so she can pay attention to the Christian analogies. At the same time, he runs hot and cold… sometimes he’s passionate and open with Lexy, other times he closes himself off and becomes inexplicably distant. Ironically, that makes me like him even more, because that’s exactly how real hormonal teenage guys behave. I mean, who wants to swoon over a fictional character that’s perfect? Give me a sweet, flawed boy any day.

Funny thing is, Jesus isn’t mentioned even once in the whole book – “God” is said countless times and Christianity is implied, but no one ever says outright, “Jesus died for your sins, ask and you will be saved, etc.” which I actually think is a point in the novel’s favor because its message can be applicable to other monotheistic religions, or general spirituality, as well. In that way, the story doesn’t alienate anyone. There were two conversations between Lexy and her friend Peyton that struck me as overly preachy, a la After School Specials or a church PSA, but I chuckled about it and went on reading anyway. Honestly though, the spiritual lessons are pretty universal, so I still felt myself taking something away from it.

The author does an admirable job of combining her belief in God with the reality of high school. Yes, many characters in the story openly talk of going to church, and ministering (complete with recital of Biblical passages) does occur. But ultimately, we’re still talking about teenagers… you know, drama everywhere. No one is flawless, no one is self-righteous or “holier-than-thou.” The guys still talk about how hot so-and-so is, the girls squabble and stab each other in the back… This, I think, is the best way a faith-based story should be told. Not that I’m particularly experienced in this area, but still!

Final verdict: This isn’t going to win awards for originality or gravitas, but the great thing about Prodigal is that it doesn’t have to. It succeeds at painting an engrossing, genuine picture of a teenage love affair along with the trials and triumphs of growing up and coming into your own. 4/5 stars. I would recommend this to my lovesick romantic types regardless of their religious affiliation (or lack thereof). 

Disclosure notes: The publisher of this book contacted me via email requesting a review and a paperback copy was sent to me free of charge. I did not receive any other compensation for reading and reviewing this book. Blurb and cover image courtesy of author’s website. 

Would you like to read Prodigal before it releases January 31, 2013? Comment on this blog post to get my copy
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“History is on repeat, and things didn’t go so well the last time.” – Deity ARC blurb 

First reaction after finishing: “WHAT? You could’ve ended at any place, and you ended- WHAT? A pox against your house! Well, not really, this is pure awesomeness, but… I have to wait a whole ‘nother year for the next book? YOU MASOCHISTIC FIEND-”

Ahem. Well, that’s embarrassing. I apologize for that, Jennifer. I enjoyed meeting you at BEA and getting my copy signed- *cough, dusts self off*

Anyway. I suppose an actual review, would be helpful here.

Summary: Deity by Jennifer L. Armentrout (November 2012 from Spencer Hill Press), the third installation (see reviews for the first and second books here and here) in the Covenant series, follows 17-18 year old Alex Andros in a paranormal romance dealing with the Greek gods and goddesses of mythology with a modern twist. As a half-blood, a diluted mixture of demigod and mortal (which is an even more diluted version of the Pure-bloods, the original spawns of a demigod and mortal pair), Alex battles questions of duty, love, and fate as her 18th birthday approaches and she becomes the second Apollyon, a super powered energy sink linked to her “other half”, Seth. While her birthday is the ultimate course for the action, the star crossed love triangle between Alex, Seth and pure-blooded Aiden creates crucial romantic tension and development of the high stakes, life-and-death kind.

The nitty gritty: Although I would definitely characterize this series as plot-driven, this novel would be nothing without the characters. There are some eye-roll inducing moments with teenage displays of testosterone (I think we can all fill the blanks on this one), but overall, all the main characters give the impression of awesome and flawed flesh and blood people who just happen to be extremely gorgeous. I love Alex, love-love-love Aiden, and hate-hate-hate Seth, and these feelings bolster my investment in the good moments and the bad. I read this book weeks ago and my heart still dissolves into puddles when I think of Aiden; I can’t remember the last time a novel character made me feel like that. Feels weird.

Over the years, as an aficionado of romance novels I’ve noticed that the romance often seems to take precedence over everything else, even common sense. The main couple usually forsakes everything, including loved ones and duty, because they’re so “madly in love” that they become selfish and vapid, or the heroes are so “perfect” that instead of rallying for their love I want to stab them in the eye with a fork. I’m happy to say that with Deity, this isn’t the case. Even when their relationship escalates halfway through (i.e. they become a couple OMGWATFINALLY), Alex and Aiden don’t change much, and their love scenes are done tastefully but with a dash of sexy just big enough to still scorch the page. Seeing them be tender/sensual together just makes me smile (well, and wish very hard for an Aiden clone, but still). And that’s what true love is supposed to be about, right?

At some point I broke out in a cold sweat – I can’t quite remember if it was because of sexual tension or pulse-pounding action at the time, probably both – so Armentrout’s writing, written in Alex’s perspective, definitely needs to be praised for being so damn vivid and engrossing. The greatness of a novelist’s prose is determined, in my opinion, by how easily you can ignore it. Here, you never lose grasp of Alex’s personality, but at the same time, in the pivotal scenes it’s easy for her snark and musings to fade away until you feel you’re watching the novel scroll by in widescreen cinema format.

As I hinted at above, the novel stops just short of the next key conflict in the plot, pitching the reader off a cliff(hanger) so intense that they’ll still want to keep flipping feebly at the pages even though there’s nothing left to read. Although cliffhangers usually irritate me to no end, Deity still possesses enough plot and character development to stand alone, leaving me satisfied to the point that after the initial shock, I actually don’t mind the wait… no, that’s totally a lie – I’m practically foaming at the mouth for Elixir to get here. But either way, I know that when I finally get hands on the next novel (or novella, as it were), it’ll definitely be worth it.

I really can’t remember the last time I was this hooked on a series, or a book, period. It’s been awhile, and although it’s nice to know I’m still capable of getting the feels, the intensity of my obsession is starting to concern me. Please, for the love of God Jennifer, release the rest post haste and put me out of my misery.

Final verdict: As the third book in a planned series of six, Deity ramps up the action, suspense, and romance without ever losing a step, and it makes me crave the sequel like I need it to breathe. I’ll make due somehow until the next installment, but I assure you Aiden and Alex will be haunting (soothing?) my dreams for a long, long time.

Want a copy of Deity for yourself? Just comment on this blog post! Note: I received, read, and reviewed this book several months before beginning an internship with Spencer Hill, the publisher)

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Carnival of Souls (Sept. 4, 2012 by HarperCollins):

In a city of daimons, rigid class lines separate the powerful from the power-hungry. And at the heart of The City is the Carnival of Souls, where both murder and pleasure are offered up for sale. Once in a generation, the carnival hosts a deadly competition that allows every daimon a chance to join the ruling elite. Without the competition, Aya and Kaleb would both face bleak futures–if for different reasons. For each of them, fighting to the death is the only way to try to live. 

All Mallory knows of The City is that her father–and every other witch there–fled it for a life in exile in the human world. Instead of a typical teenage life full of friends and maybe even a little romance, Mallory scans quiet streets for threats, hides herself away, and trains to be lethal. She knows it’s only a matter of time until a daimon finds her and her father, so she readies herself for the inevitable. While Mallory possesses little knowledge of The City, every inhabitant of The City knows of her. There are plans for Mallory, and soon she, too, will be drawn into the decadence and danger that is the Carnival of Souls. —Courtesy of Goodreads

My feelings are mixed on this one. Equal feelings of enjoyment and irritation warred for dominance through most of the experience. I made quick work of the novel because the stakes created serious tension that made me eager to reach the end (and the resolution), but I found the finale lacking. It felt like Marr stopped right in the middle of the scene. For me, the first book in a series needs to be able to standalone – but this one did not. The fast paced action and the surprising darkness of the world Marr created kept me enraptured, but irritation won out, in one key way: I know I won’t be reading the rest of the series.

The romance ended up being the nail in the coffin, and here’s why: the misogyny. Women are property and are only valued long-term for their wombs in this fantasy world, and that pissed me off the whole time I was reading. No, I am not expecting authors to play it safe just to avoid offending me, nor is my enjoyment of a book dependent on whether the book operates according to my core values. But. There is no way that I can root for romances that are so fundamentally built on the notion that women are not equal and are only tolerable pregnant and married (i.e., the property of a man). The chauvinism here is so prevalent that addressing it to a satisfactory level — one that makes me want these people to end up together — is impossible because the realization of those romances means two strong, multifaceted women will need to devolve into walking baby factories. There is no mention of women getting married and maintaining individual hobbies or careers; instead, they’re expected to abandon everything so they can be ‘bred’ (yes, that’s actually how they refer to baby making). That makes me a very sad panda, because Aya and Belias are totally awesome and entertaining as a couple, and otherwise, I’d be shipping them ’til the cows come home.

On the other hand, the main romance between Kaleb and Mallory is doomed regardless. I have never been a fan of fated love, but this case, where Kaleb and Mallory share a kiss and suddenly fall in love because they’re soul mates, I can only roll my eyes. To me, it’s a trope that dooms all parties involved, because everything else but their relationship ceases to matter and they lose any shred of personality and individualism that existed beforehand. Kaleb and Mallory are perfectly likeable separately, but together? They’re… nauseating.

Bottom line: As long as you don’t over-analyze everything like I do, this is still a thrilling read. This is the first novel I’ve read by Melissa Marr, and she weaves the plot and characters into a seamless mixture of dark, sensual, heart pounding entertainment. She paints her new fantasy world with amazing detail, even if I can’t say I like where the various twists and turns seem to be heading. 4/5 stars.

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Sometimes I read a book that leaves a more subtle impression– i.e., one that doesn’t require 500-600 words (which is the usual length of one of my reviews; a professional editor I worked with a while back told me that 500 words is the most in-depth you can get without boring someone). I feel kind of silly making a blog post review that is shorter than that, but I discovered a solution: put a bunch of bite-sized reviews together in one post! So here you go, reviews of What’s Left of Me by Kat Zhang, Don’t Turn Around by Michelle Gagnon, and Code Name Verity by Elizabeth Wein.

Each book was received at Book Expo America 2012.

What’s Left of Me (Sept. 18, 2012 by HarperTeen): The plot is really unique — basically, each human that’s born naturally holds two souls, and one of them (the recessive soul) is expected to fade away in childhood so the dominant soul can live on alone. Fifteen year old Eva is the recessive soul, and she tells she and ‘sister’ Ava’s story in a beautifully understated, heartbreaking way. Unlike many novels, the romance here is sweet and unobtrusive. The ending is satisfying enough to standalone, which is important, but reading the rest of the series isn’t a requirement for me. Recommended for dystopian fans. 3/5 stars

Don’t Turn Around (Aug. 28, 2012 by HarperCollins): I was extremely disappointed with this novel. The blurb pegs it as a ‘tense thriller’ but the book completely lacks tension or thrills. There was no point while reading where I felt even the slightest bit invested in the storyline or the characters despite the gravity of the situation and the stakes involved. The author had a tendency to include large chunks of exposition right in the middle of pivotal scenes, making the pacing sputter. I did end up ‘finishing’ the novel… if you count skimming, that is. 1/5 stars. 

Codename Verity ( May 15, 2012 by Hyperion): This book filled me with equal parts rage and sorrow. Although I knew (vaguely) that this book dealt with young female spies before I started reading, I had no clue that the setting was World War II, and so I wasn’t prepared for the devastation and depravity of the Nazi’s Gestapo. The story is told in exhaustive detail with impeccable research of the times, but the author’s effort was somewhat lost on me – I’m not familiar with earlier twentieth century weapons, planes, or British landscapes, so even with everything that was described I still couldn’t quite visualize it. Nevertheless, this is a beautiful, heart wrenching tale that paints a shocking picture of how far we’ve come… but also of how easily we could fall again. This will make you cry, but it’s worth it. 4/5 Stars.

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What do you do when you’re jealous of your own characters?

To me, it’s the equivalent of the flashing red light and that horrific blaring noise used in fire alarms – in other words, you are in a very dangerous place right now, and if you don’t evacuate immediately you are going to die, or at the very least cause some serious damage.

See, it’s a delicate balance being a writer, or any kind of artist, really. It’s our passion that allows us to create vivid worlds that touch other people, but it’s that same passion that can destroy us. What if you’re so focused on creating new worlds that you’re not really “living” in the one you’re in? I daydream. A lot. And from what I’ve heard of other creative type B personalities, it’s fairly common. A lot of my art and writing ideas come from daydreaming. At the same time, I’ve been told that I come off as guarded or standoffish to other people, which was a complete surprise to me, but that eventually made sense when I realized that 99.9% of the time, I’m too busy wishing I was somewhere or someone else to be invested in what’s going on around me.

It makes me think that my personality makes me more likely to be an above average writer and painter but less able to connect with the people who enjoy my writing or painting. But that’s not something easily remedied… so it feels a little like smashing my head against a brick wall right now. I will say this, though – when I doing creative things, it makes me happy.

It seems that creativity tends to be linked with introversion to some degree. Correlation does not equal causation, but it makes me wonder: if you had to choose between being a creative genius or a social butterfly, which would be more important to you?

Most of the time, I think art is more important.

Sometimes… not so much.

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I Hunt Killers by Barry Lyga features Jasper “Jazz” Dent, a 17-year old high school junior living in the small town of Lobo’s Nod. He’s handsome, charismatic, and intelligent, but his family holds a dark, gruesome past – his own father, Billy Dent, is the world’s most notorious serial killer, having killed at least 123 people before finally being captured and sent to prison four years ago by Lobo’s Nod Police Chief G. William Tanner.

The whole world watched the horror go down, and now Jasper is living with the consequences. His peers fear and abhor him, and the media constantly stalks him, everyone constantly asking the question: will Jasper ever snap and brutally kill like his father?

I can’t properly express how much I love this book. The terror mounts at the start with an extremely graphic description of a murdered woman found in a local field. From there, we experience the novel through Jasper’s eyes as he tries to cope with his family’s tarnished reputation and overcome doubts that he too might be a violent sociopath. You can really tell Lyga did his research for this book, as the medical information and psychoanalysis is very detailed and totally believable. It adds greatly to the horrifying events, with some scenes so intense that I had to step back from the novel and catch my breath.

Despite the epic plot and pacing, it’s the characters that steal the show. Jasper is at once sympathetic and cold, but far from a caricature, and his struggle with his own madness is entertaining and mind blowing. His best friend Howie and his girlfriend Connie are compassionate, amazing people that each contribute to the story in a major way – technically they could be considered sidekicks but the book wouldn’t be nearly as good without them. This might just be one of my favorite YA book of all time.

If this is ever turned into a film, I would want Jack Nicholson to play Jazz’s father, because throughout the whole book I was imagining Bill’s words in Jack’s voice. Nicholson has just the right potential balance of badassery and batshit-insaneism, I think, and Bill is definitely both. I both feared the man like I might fear Satan if he was standing right in my room, pointing his pitchfork at me and laughing maniacally, and then I had to grudgingly respect the dude for being so cocky and out of his mind that he couldn’t care less about what he did to all those people. He’s the honey badger personified – he just don’t give a s#@!.

I’ve shared my immense love for Barry Lyga on this blog before, as well as our long history of me besting him in pool, but I must say… I’ve never loved Barry Lyga more than I do after reading this book. Good show, dude. Good show.

….Bbbbbbbut, I just think we shouldn’t meet up at the pool hall anymore for a while… no offense, but I’m joining Holly Black in asserting that at this point, you probably need to see a psychiatrist. Regularly. Maybe even two or three, if you can swing it. I’ll be cowering under my bed if you need me.

I do NOT recommend this book for anyone who is squeamish, dislikes very graphic depictions of gore, or anyone younger than 15.

5/5 Stars!

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I had no idea what The Unbecoming of Mara Dyer by Michelle Hodkin was about when I picked up an advanced reader copy at the Book Blogger Convention this year; the cover doesn’t really give much away. When I read the blurb on the back, I decided I was interested, but when I read the first chapter, I decided I was hooked. By page four the tension is so thick it feels like my heart is about to jump out my chest.

As the novel begins, sixteen year old Mara Dyer wakes up in a hospital room with no idea how she got there. Her mother relays the short, gruesome story – while Mara and her three friends are exploring an abandoned insane asylum on a Wednesday night, the building collapses, and only Mara survives. The mystery of why she alone is unhurt follows her through her friends’ funerals and from Rhode Island to Miami when her family moves to escape the horrid memories. At the same time, Mara is consumed by disturbing hallucinations, guilt, and weird coincidences that help her determine that the incident at the asylum is much more complicated than she originally thought.

Hodkin handles mental illness extremely well in her debut. Mara’s struggle with hallucinations and PTSD is realistic and sympathetic. While Mara does resist seeing a psychologist and taking medication at first, her eventual use of both is painted in a subtly positive way. This is important for me to note because the mentally ill are still vilified in today’s culture, and many people who need help won’t get it because of the stigma attached. Seeing a Young Adult novel that handles the subject so skillfully is refreshing.

But the biggest surprise for me in Mara Dyer is Noah Shaw. When he’s first introduced in the novel, he appears to be the stereotypically rich, arrogant, perfect teenage boy who has no personality to speak of besides “total jerk” and “red-hot love machine”.  I hate guys – fictional or not – like that, and having one as a main character in a novel is a surefire way to ruin the experience for me. Luckily, Noah reveals himself to be more complex and sensitive than I ever could have imagined, and by the end of the novel, he’s my favorite character.

The pacing of the novel is the only problem, but it’s a major one. The Unbecoming of Mara Dyer starts off fast and hard, but by page 30 the suspense has come to a screeching stop. Hodkin spends the first hundred or so pages describing Mara’s adjustment to her new school with a few startling hallucinatory episodes thrown in, but the plot doesn’t advance at all. Mara flirts with Noah, talks to Jaime about Noah, endures attacks from bullies, and imagines she sees horrific things that aren’t there… That’s a one sentence summary of the first half of the book. Mara’s hallucinations do have a greater purpose in the plot, but there’s so much filler between these scenes that it’s hard to be excited about them. While the interesting characters keep me reading, the lack of suspense in a book that’s clearly supposed to be suspenseful is a foreboding sign.

Hodkin leaves the ending open, which makes me think there’s going to be a sequel, but I’m not anxious for it. The final scene is too abrupt and leaves the novel feeling incomplete. Long story short, Michelle Hodkin is an author with plenty of potential and great characters, but her plotting needs work. The premise is original and fresh but is somehow lost along the way.

3/5 stars.

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